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Ragamala Dance Company
Ragamala Dance Company performing Sacred Earth. Photograph by Hub Wilson, 2011. Used with the permission of Ragamala Dance Company.
Founded in 1992 by Ranee Ramaswamy and David Whetstone, Ragamala Dance Company is a leading dance ensemble of the Indian diaspora in the United States. Through original works like Sacred Earth and Song of the Jasmine, the Minneapolis-based institution has made a global impact while maintaining its Minnesota roots.
Under the direction of Ranee and her daughter Aparna, the company creates intercultural, collaborative performance works. Their choreography is rooted in the south Indian classical dance style of Bharatanatyam, a 2,000-year-old art form that originated in Tamil Nadu, India. Highly stylized, with sophisticated technique, Bharatanatyam blends two distinct components: nritta, or rhythmic dance, comprising various complex body movements and rhythmic compositions, and nritya, or narrative dance, which utilizes the language of gesture and facial expression.
Raised in Chennai (Madras), India, Ranee trained in Bharatanatyam from age nine to nineteen. After moving to Minneapolis with her husband and youngest daughter, Aparna, in 1978, she became active in the local Indian community and joined a number of organizations for Indian expatriates. After taking a ten-year break from dancing, she was invited to perform at a festival at the University of Minnesota. The performance led to teaching, and she began making annual trips to India to further her study.
1983 was a critical juncture in Ranee and Aparna’s artistic lives. The internationally renowned dancer and choreographer Alarmél Valli came to the University of Minnesota for a teaching workshop and performance, after which Ranee and Aparna become her students. “I had never seen anyone dance Bharatanatyam like she did,” recalls Ranee. “Valli’s dancing was brilliant and soul-stirring.”
From 1983 to 1990, Ranee and Aparna continued their annual studies with Valli while establishing themselves in the Twin Cities dance community through teaching and performing.
The idea to start a company began when Ranee met the poet Robert Bly in 1990. She realized that she could bring Indian poetry, dance, and music to new audiences through his dynamic English translation of the poems of Mirabai, a Hindu writer and mystic who lived in the 1500s CE.
Through Bly, Ranee met sitarist David Whetstone and tabla player Marcus Wise, and the three collaborated with her on a multi-media production called Mirabai Versions. The show’s 1991 premiere was a milestone. “For the first time, I felt like I was really doing my own work,” she says. “And the poems in English and music by local musicians made Indian dance more accessible to audiences outside of the Indian community.”
Encouraged by the show’s success, Ranee and Whetstone founded Ragamala Music and Dance Theater in 1992 (Whetstone left the company to pursue other projects in 1996). “I was excited to collaborate with other cultures that had something in common and to use my dance language to communicate,” Ranee says.
Aparna became co-artistic director of the company in 2002. Since then, her shared vision with Ranee has brought international visibility to Ragamala. “Our work explores the hybridic perspectives of intercultural life that is omnipresent in today’s world,” says Aparna. “It’s this idea of carrying ritual and culture forward. We’re looking at the way tradition isn’t static; the contemporary and the traditional can co-exist.” A series of national and international tours—the first in 1998—also helped introduce the company to new audiences.
In the 2010s, more tours and original productions like Sacred Earth and Song of the Jasmine brought Ragamala worldwide recognition. As individuals, Ranee and Aparna received such accolades as a McKnight Distinguished Artist Award (Ranee, 2011) and Doris Duke Performing Artist Awards (Ranee, 2014, and Aparna, 2016). National and international venues commissioned the company to create new works, and it received awards from the National Endowment for the Arts, the McKnight Foundation, and the Joyce Foundation, among others. The company performed at Lincoln Center (2014), the Walker Art Center (2014), the Music Center of Los Angeles (2016), and the Just Festival in Scotland (2017), among dozens of other venues.
In early April 2018, Ranee and Aparna were awarded Guggenheim Fellowships in the field of choreography. Later that month, they added the production Body, the Shrine to Ragamala’s repertory, following its debut in Minneapolis. They went on to present six performances of their large-scale work, Written in Water, at the Jacob’s Pillow Dance summer festival in Becket, Massachusetts.
Turning Point: In 1983, Ranee and Aparna Ramaswamy meet their guru, Alarmél Valli, at a dance workshop and performance in Minneapolis. Valli’s style of Bharatanatyam becomes the inspiration for their creative aesthetic.
The idea to start a company began when Ranee met the poet Robert Bly in 1990. She realized that she could bring Indian poetry, dance, and music to new audiences through his dynamic English translation of the poems of Mirabai, a Hindu writer and mystic who lived in the 1500s CE.
Through Bly, Ranee met sitarist David Whetstone and tabla player Marcus Wise, and the three collaborated with her on a multi-media production called Mirabai Versions. The show’s 1991 premiere was a milestone. “For the first time, I felt like I was really doing my own work,” she says. “And the poems in English and music by local musicians made Indian dance more accessible to audiences outside of the Indian community.”
Encouraged by the show’s success, Ranee and Whetstone founded Ragamala Music and Dance Theater in 1992 (Whetstone left the company to pursue other projects in 1996). “I was excited to collaborate with other cultures that had something in common and to use my dance language to communicate,” Ranee says.
Aparna became co-artistic director of the company in 2002. Since then, her shared vision with Ranee has brought international visibility to Ragamala. “Our work explores the hybridic perspectives of intercultural life that is omnipresent in today’s world,” says Aparna. “It’s this idea of carrying ritual and culture forward. We’re looking at the way tradition isn’t static; the contemporary and the traditional can co-exist.” A series of national and international tours—the first in 1998—also helped introduce the company to new audiences.
In the 2010s, more tours and original productions like Sacred Earth and Song of the Jasmine brought Ragamala worldwide recognition. As individuals, Ranee and Aparna received such accolades as a McKnight Distinguished Artist Award (Ranee, 2011) and Doris Duke Performing Artist Awards (Ranee, 2014, and Aparna, 2016). National and international venues commissioned the company to create new works, and it received awards from the National Endowment for the Arts, the McKnight Foundation, and the Joyce Foundation, among others. The company performed at Lincoln Center (2014), the Walker Art Center (2014), the Music Center of Los Angeles (2016), and the Just Festival in Scotland (2017), among dozens of other venues.
In early April 2018, Ranee and Aparna were awarded Guggenheim Fellowships in the field of choreography. Later that month, they added the production Body, the Shrine to Ragamala’s repertory, following its debut in Minneapolis. They went on to present six performances of their large-scale work, Written in Water, at the Jacob’s Pillow Dance summer festival in Becket, Massachusetts.

Bibliography
Burke, Siobhan. “Sacred Music and Movement, With An Infectious Beat.” New York Times, August 14, 2014.
Pena, Susan L. “Ragamala Dance Company Blends Past and Present.” Reading Eagle, October 20, 2016.
Post-Performance Talk Back: They Rose at Dawn.
https://vimeo.com/179133204
Preston, Rohan. “Twin Cities Dancer Aparna Ramaswamy of Ragamala Steps into a New 'Dawn' as Solo Artist.” Minneapolis Star Tribune, February 18, 2016.
Ragamala Dance Company.
https://www.ragamaladance.org/
Ragamala Dance Company and Rudresh Mahanthappa in Conversation with Philip Bither. YouTube. Walker Art Center, June 26, 2014.
https://www.youtube.com/watch?v=RHCRT-p4I8E
“Ragamala Dance Performs Nocturne.” Martha’s Vineyard Online, August 8, 2017.
http://mvol.com/events/ragamala-dance-company-dance-performs-nocturne/
Ramaswamy, Ranee. Ranee Ramaswamy: 2011 Distinguished Artist. Minneapolis: McKnight Foundation, 2011.
https://www.mcknight.org/wp-content/uploads/pdf-5-mb.pdf
Rao, Mallika. “Meet the Women Radicalizing One Of The World's Oldest Dance Forms.” Huffington Post, August 11, 2015.
https://www.huffingtonpost.com/entry/an-ancient-dance-form-turns-irresistable_us_55cb512ce4b0923c12bebd8e
Rizzuto, Rachel. “An Indian Dance Matriarchy in Minneapolis.” Dance Teacher, February 2016.
“They Rose at Dawn—The Making Of.” Vimeo.
https://vimeo.com/164771387
Soneji, Davesh. Bharatanatyam: A Reader. New Delhi: Oxford University Press, 2010.
Related Resources
Primary
Bush Foundation records, 1953–2015
Manuscripts Collection, Minnesota Historical Society, St. Paul
http://www.mnhs.org/library/findaids/00016.xml
Description: Grant files and other records of a St. Paul-based nonprofit foundation, incorporated in 1953 with an endowment from 3M executive Archibald G. Bush, that provides grants to charitable, scientific, literary, musical, educational, and arts organizations located primarily in Minnesota and the Upper Midwest.
OH 46
India Association of Minnesota Oral History Project (Phase 1)
Interview with Ranee Ramaswamy, November 17, 1994
Oral History Collection, Minnesota Historical Society, St. Paul
http://collections.mnhs.org/cms/display.php?irn=10443703
Description: Ranee Ramaswamy discusses her childhood in India, moving to the United States, her study of Bharatha Natyam, classical Indian dance, and establishing Ragamala Dance Theater, and other topics.
OH 56
India Association of Minnesota Oral History Project (Phase 2)
Interview with Aparna Ramaswamy, July 20, 1997
Oral History Collection, Minnesota Historical Society, St. Paul
http://collections.mnhs.org/cms/display.php?irn=10440248
Description: Aparna Ramaswamy discusses family life, studying dance in India, Bharata Natyam dance, the development and growth of the Ragamala dance company, the importance of maintaining a sense of Indian culture, and other topics.
Secondary
“Best Dance Company, 2012.” City Pages, April 2012.
http://www.citypages.com/best-of/2012/arts-and-entertainment/ragamala-dance-7365155
“Best Dance Company, 2018.” City Pages, April 2018.
http://www.citypages.com/best-of/2018/arts-and-culture/ragamala-dance-company/479775273
John Simon Guggenheim Foundation: Ranee Ramaswamy, 2018.
https://www.gf.org/fellows/all-fellows/ranee-ramaswamy/
Palmer, Caroline. “Artists of the Year 2011: Ranee and Aparna Ramaswamy.” Minneapolis Star Tribune, January 5, 2012.
http://www.startribune.com/artists-of-the-year-2011-ranee-and-aparna-ramaswamy/136403798/
Related Audio
MN 90: Ranee Ramaswamy's dance company
Britt Aamodt shares the history of Ragamala Dance Company.
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Articles
Related Images

Sacred Earth
Ragamala Dance Company performing Sacred Earth. Photograph by Hub Wilson, 2011. Used with the permission of Ragamala Dance Company.
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Ranee Ramaswamy dancing as a child
Ranee Ramaswamy dancing in Chennai (Maras), India, 1962. Used with the permission of Ashwini Ramaswamy.
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Ranee Ramaswamy, Alarmél Valli, and Aparna Ramaswamy
Ranee Ramaswamy, Alarmél Valli, and Aparna Ramaswamy (left to right) in Chennai (Madras), India, 1986. Used with the permission of Ashwini Ramaswamy.
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Aparna Ramaswamy
Aparna Ramaswamy dancing in her arangetram (debut recital) in Chennai (Madras) India, 1987. Used with the permission of Ashwini Ramaswamy.
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Aparna Ramaswamy
Aparna Ramaswamy dancing in her arangetram (debut recital) in Chennai (Madras), India, 1987. Used with the permission of Ashwini Ramaswamy.
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Ranee and Aparna Ramaswamy
Ranee and Aparna Ramaswamy in a publicity photograph for Mirabai Versions. Photograph by Ed Bock, 1990. Used with the permission of Ragamala Dance Company.
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Ranee Ramaswamy and Robert Bly
Ranee Ramaswamy with poet Robert Bly in Portland, Maine. Photograph by Ann Rosenwald, 1991. Used with the permission of Ashwini Ramaswamy.
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Ranee Ramaswamy
Ranee Ramaswamy performing in Mirabai Versions in Minneapolis. Photograph by Ed Bock, 1991. Used with the permission of Ragamala Dance Company.
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Sacred Earth
Ragamala Dance Company performing Sacred Earth in Minneapolis. Photograph by Ed Bock, 2011. Used with the permission of Ragamala Dance Company.
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Sacred Earth
Warli painting with overlay of Ashwini Ramaswamy performing in Sacred Earth. Photograph by Ed Bock, 2011. Used with the permission of Ragamala Dance Company.
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Ranee Ramaswamy in Sacred Earth
Ranee Ramaswamy performing in Sacred Earth, 2011. Used with the permission of Ragamala Dance Company.
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Song of the Jasmine
Ragamala Dance Company performing Song of the Jasmine at Lincoln Center Out of Doors in New York City. Photograph by Darial Sneed, 2014. Used with the permission of Ragamala Dance Company.
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Aparna Ramaswamy
Aparna Ramaswamy, co-artistic director of Ragamala Dance Company, in Minneapolis. Photograph by Ed Bock, 2015. Used with the permission of Ragamala Dance Company.
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Ashwini Ramaswamy
Ashwini Ramaswamy performing in Sacred Earth. Photograph by Amanulla, 2015. Used with the permission of Ragamala Dance Company.
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Ranee Ramaswamy
Ranee Ramaswamy in Minneapolis. Photograph by Ed Bock, 2016. Used with the permission of Ragamala Dance Company.
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.jpg)
Written in Water
Ragamala Dance Company performing Written in Water in Tallahassee, Florida. Photograph by Three Phase Multimedia, 2016. Used with the permission of Ragamala Dance Company.
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Aparna and Ranee Ramaswamy
Aparna and Ranee Ramaswamy in Minneapolis. Photograph by Ed Bock, July 2016. Used with the permission of Ragamala Dance Company.
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Aparna Ramaswamy
Aparna Ramaswamy performing in Body, the Shrine, in Chennai (Madras), India. Photograph by Amanulla, 2018. Used with the permission of Ragamala Dance Company.
All rights reserved
Holding Location
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Related Articles
Turning Point
In 1983, Ranee and Aparna Ramaswamy meet their guru, Alarmél Valli, at a dance workshop and performance in Minneapolis. Valli’s style of Bharatanatyam becomes the inspiration for their creative aesthetic.
Chronology
1978
1983
1990
1991
1992
1998
2002
2011
2012
2013
2014
2015
2016
2017
2018
Bibliography
Burke, Siobhan. “Sacred Music and Movement, With An Infectious Beat.” New York Times, August 14, 2014.
Pena, Susan L. “Ragamala Dance Company Blends Past and Present.” Reading Eagle, October 20, 2016.
Post-Performance Talk Back: They Rose at Dawn.
https://vimeo.com/179133204
Preston, Rohan. “Twin Cities Dancer Aparna Ramaswamy of Ragamala Steps into a New 'Dawn' as Solo Artist.” Minneapolis Star Tribune, February 18, 2016.
Ragamala Dance Company.
https://www.ragamaladance.org/
Ragamala Dance Company and Rudresh Mahanthappa in Conversation with Philip Bither. YouTube. Walker Art Center, June 26, 2014.
https://www.youtube.com/watch?v=RHCRT-p4I8E
“Ragamala Dance Performs Nocturne.” Martha’s Vineyard Online, August 8, 2017.
http://mvol.com/events/ragamala-dance-company-dance-performs-nocturne/
Ramaswamy, Ranee. Ranee Ramaswamy: 2011 Distinguished Artist. Minneapolis: McKnight Foundation, 2011.
https://www.mcknight.org/wp-content/uploads/pdf-5-mb.pdf
Rao, Mallika. “Meet the Women Radicalizing One Of The World's Oldest Dance Forms.” Huffington Post, August 11, 2015.
https://www.huffingtonpost.com/entry/an-ancient-dance-form-turns-irresistable_us_55cb512ce4b0923c12bebd8e
Rizzuto, Rachel. “An Indian Dance Matriarchy in Minneapolis.” Dance Teacher, February 2016.
“They Rose at Dawn—The Making Of.” Vimeo.
https://vimeo.com/164771387
Soneji, Davesh. Bharatanatyam: A Reader. New Delhi: Oxford University Press, 2010.
Related Resources
Primary
Bush Foundation records, 1953–2015
Manuscripts Collection, Minnesota Historical Society, St. Paul
http://www.mnhs.org/library/findaids/00016.xml
Description: Grant files and other records of a St. Paul-based nonprofit foundation, incorporated in 1953 with an endowment from 3M executive Archibald G. Bush, that provides grants to charitable, scientific, literary, musical, educational, and arts organizations located primarily in Minnesota and the Upper Midwest.
OH 46
India Association of Minnesota Oral History Project (Phase 1)
Interview with Ranee Ramaswamy, November 17, 1994
Oral History Collection, Minnesota Historical Society, St. Paul
http://collections.mnhs.org/cms/display.php?irn=10443703
Description: Ranee Ramaswamy discusses her childhood in India, moving to the United States, her study of Bharatha Natyam, classical Indian dance, and establishing Ragamala Dance Theater, and other topics.
OH 56
India Association of Minnesota Oral History Project (Phase 2)
Interview with Aparna Ramaswamy, July 20, 1997
Oral History Collection, Minnesota Historical Society, St. Paul
http://collections.mnhs.org/cms/display.php?irn=10440248
Description: Aparna Ramaswamy discusses family life, studying dance in India, Bharata Natyam dance, the development and growth of the Ragamala dance company, the importance of maintaining a sense of Indian culture, and other topics.
Secondary
“Best Dance Company, 2012.” City Pages, April 2012.
http://www.citypages.com/best-of/2012/arts-and-entertainment/ragamala-dance-7365155
“Best Dance Company, 2018.” City Pages, April 2018.
http://www.citypages.com/best-of/2018/arts-and-culture/ragamala-dance-company/479775273
John Simon Guggenheim Foundation: Ranee Ramaswamy, 2018.
https://www.gf.org/fellows/all-fellows/ranee-ramaswamy/
Palmer, Caroline. “Artists of the Year 2011: Ranee and Aparna Ramaswamy.” Minneapolis Star Tribune, January 5, 2012.
http://www.startribune.com/artists-of-the-year-2011-ranee-and-aparna-ramaswamy/136403798/